But it went well. The
question and answer session (which managed to turn all my internal organs to
stone at the mention) was not as heinous as I had feared. I was among people
who were genuinely interested in my ideas and in helping to improve them. I loved
it. I was also fortunate enough to meet Roz Kaveney that day, though, to my
shame, I did not discover the full awesomeness of the woman until much later
and so did not appreciate her presence as I should have. A wonderful upshot of
the conference was my eventual inclusion in Battlestar Galactica and Philosophy: MissionAccomplished or Mission Frakked Up?, first with the brilliantly named 'I
Frak, Therefore I am' (the editors' idea and I still adore it), and secondly
with the anonymous 'Dreamers in the Night' (we were making a final five joke. I
still like that too).
Since that fateful 2007,
I have spoken in Ireland, England, and Scotland on European science fiction, slasher
films and 70s feminist science fiction, science fiction within science fiction,
Fringe, Grant Morrison's All-Star Superman, Lord of the Rings
and Metropolis (which landed me in JRR Tolkien: the Forest and the City), science fiction in the Irish literary canon, and
zombies. I have been very lucky; these conferences were all organised by
brilliant, enthusiastic people, and I have fond memories of all of them --
though few things will top my delight at being called "Bold, in both
senses of the word" by the conference organiser at the University of
Aberdeen for saying Samuel Beckett's Endgame could be read as a
post-apocalyptic text.
Thinking about this, and
about how meeting people as interested in genre fiction as I am has helped my
own critical thinking, I start to consider how I got into all this in the first
place. It comes down to wanting to talk about the things I've read and seen,
wanting to dissect them, find out what they're doing. One of the infinity of
things I love about the Young Man is that he likes to discuss texts just as
much as I do (and he's good at it too. I am very lucky). We could talk for the
rest of our lives about the books, movies, and television shows we've seen, and
never get tired of it.
My love of literary
criticism also comes back, as so many things do for me, to Douglas Adams. I
think I was about eleven or twelve when I found a tape in my house called The
Hitchhiker's Guide to the Galaxy. Having nothing better to do, I put it in
and watched it. Despite only having the first couple of episodes, I relished
it, but it stuck in my head not just because it was science fiction and it was
funny. It stuck in my head because Adams spent the first few minutes making me
laugh and then, just when I was comfortable, he gave us that terrible silence
when the Earth was destroyed. And I couldn't understand how I felt about it. To
some extent I still don't, which is why I research Adams's worldbuilding, and
why I research other genre fiction. In the end, I want to know why I react the
way I do to these texts.
There is, to me,
something inherently beautiful about genre fiction, no matter the medium. It is
an expression of something someone has created from themselves, and from the knowledge
and experience they have to hand. It is crafting, weaving words and imagery
into art. It is taking a journey and hoping the reader is willing to join them,
walk the paths of this new world with them, to fill in the gaps they have left
in the building with what the reader knows would be there. It is something potentially
so fragile a single word could break it, and so strong that a million people
will invest their time and energy into loving it. Speculative fiction is about
the places which have never been, could never be, might never be; it is the
child of imagination and intelligence and joy in different words, different
images, different places. It is a celebration of hope, despair, joy, hatred,
fear, faith, and wonder. While I accept not everyone will like it, it is
genuinely hard for me to understand why anyone wouldn't. These are adventures
the like of which we can never find for ourselves, paths we cannot take, roads
which do not exist in our world. Who wouldn't want to walk down those roads?
So I go to conferences
and I meet people who love these things, these imagined worlds and people, just
as much as I do; who seek to find the meaning in the texts just as I want to,
and to enjoy them as they do. It is, I have found, a nourishment for my soul,
as doing what you love always is. If I could have a lifetime of talking about
these things, I will find my life well-spent.
But in the meantime, I'm
going to have my tea, and indulge my love of computer games. Because you can
love a lot of things at once in this world. That's why it's the best one.